Tessa
Silvestre
tides and alchemy.
​
The intimate landscapes featured below are available as original artworks only.
​
The nature of ink making means that the inks themselves are subject to many variables and their exact shades and depths are impossible to reproduce.
​
Made from detritus gathered from the home and landscape these inks include; copper, eucalyptus, blackthorn, iron, avocado, onion skin, turmeric, acorn, salt and nettles.
​
​
Winter 2022 I
21 x 18.5 cm
£300 mounted unframed
Winter 2022 II
22 x 22 cm
£350 mounted unframed
Winter 2022 III
27.5 x 23.5 cm
£350 mounted unframed
between you
& me
​
The monoprints featured below were made during pregnancy, through these prints I wanted to explore the lack of boundary between myself and the new being growing inside of me. Cell-like and ambiguous, these prints were made using found matter from the landscape to further explore the lack of boundaries between us and nature.
​
Between you & me
individual monoprints 15 x 15cm
£200 unframed
caves.
As individual experience and potential for experience within this transition to parenthood is vast, the key idea that I found held the most draw for me was the concept of 'liminality'. Liminality as an inbetween state, representing the threshold between what was, and what is yet to come. I found this place to be both immensely exciting and terrifying simultaneously.
"In anthropology, liminality is the quality of ambiguity or disorientation that occurs in the middle stage of a rite of passage, when participants no longer hold their pre-ritual status but have not yet begun the transition to the status they will hold when the rite is complete."
In exploring this idea of liminality I began to draw inspiration from doorways and entrances which symbolised this idea of leaving one space and entering into a new place. Being that I tend to visit a lot of places with rocks, caves began to feature heavily within these new drawings. These four caves are monoprints of caves we found in the Ariege, France.